Overturning a lower court decision, the Second Circuit determined, in Kelly-Brown v. Winfrey, that Oprah must defend a trademark infringement lawsuit despite her argument that the trademark fair use doctrine shielded her production company’s use of the slogan “Own Your Power” in connection with its publications and other media offerings.

In Gary Friedrich Enterprises v. Marvel, the Second Circuit reversed the Southern District of New York, holding that there exist genuine disputes of material fact regarding the intent of a comic book creator and publisher Marvel Comics to assign renewal rights in “Ghost Rider” via a 1978 written agreement, the timeliness of the creator’s ownership

Any tennis player will tell you it’s better to have a first than second serve. Similarly, when it comes to TV channels looking for carriage, it’s better to be on a distributor’s first tier than a secondary, specialty tier. However, a recent United States Court of Appeals for the District of Columbia Circuit ruling in

In February of this year, the U.S. District Court for the Central District of California ruled that appropriation artist Thierry Guetta infringed photographer Dennis Morris’s copyright in a photograph of Sex Pistols singer Sid Vicious when he created seven works of art based on Morris’s black and white photograph. In its order granting Morris’s motion

In a decision that is largely favorable to copyright owners, Judge Pauley of the Southern District of New York granted in part a motion by plaintiffs EMI, Inc. and fourteen other record companies (together, “EMI”) requesting reconsideration of its 2011 decision in Capitol Records, Inc. v. MP3tunes, LLC, which dismissed most of EMI’s contributory copyright

In Craigslist Inc. v. 3Taps Inc. et al., the U.S. District Court for the Northern District of California refused to dismiss many of the claims brought by Craiglist against several republishers of its user content based in part on its broad terms of use, turning on whether user content was exclusive to the online classified

For the second time in three years, the U.S. District Court for the Southern District of New York determined, in Viacom v. YouTube, that YouTube qualified for and was shielded from copyright infringement liability by the Digital Millennium Copyright Act (“DMCA”).

The burden of showing fraud in a trademark filing is ever-evolving but always high. A similarly high standard applies when it comes to meeting the “exceptional case” requirement for an award of attorneys’ fees for the prevailing party. Nevertheless, some cases involve such obvious wrongdoing that the burdens can be met before discovery even opens.

On March 29, 2012, U.S. District Judge Deborah Batts dismissed collector John Sobel’s complaint against celebrated fine art photographer William Eggleston. The lawsuit stemmed from allegations that Eggleston diluted the value of Sobel’s limited edition Eggleston prints when Eggleston created additional reprints derived from the same images, but of a different size, medium and print

Founding executive editor of Wired Magazine Kevin Kelly once observed that, at its core, the Internet is the world’s largest copying machine and that the digital economy has been built on a stream of copies. Unfortunately for the hopes of digital music reseller ReDigi, Judge Sullivan of New York’s Southern District agreed, granting Capitol Records’