Drake, The Weeknd, and other artists’ best bet to stop AI-generated vocal imitators under right of publicity laws—which generally protect one’s name, image, and likeness from being exploited without permission—attorneys said. But unlike copyright and trademark law, the right of publicity is based entirely on state laws. Some like New York and California provide explicit

Generative Artificial Intelligence (“AI”) platforms allow anyone to create artwork from the complex to the beautiful and bizarre by typing a text “prompt.” The rising popularity and use of such platforms have not only generated images, but controversy involving complex legal and ethical gray areas. Nancy Wolff, Scott Sholder, and Elizabeth Safran provide an overview

Nancy Wolff and Sarah Odenkirk recently published an article in ABA’s Landslide Magazine: Non-Fungible Tokens (“NFTs”) may be used to manage intellectual property rights but must include clearly articulated governance and ownership parameters. Co-Heads of CDAS’s Art Law Team, Nancy Wolff and Sarah Odenkirk, provide practical guidance to understanding what rights can be licensed, what

March 31, 2023 — Agence France-Presse (AFP) and Getty Images, represented by Nancy E. Wolff and Benjamin S. Halperin of Cowan, DeBaets, Abrahams & Sheppard LLP (CDAS), have defeated an international copyright infringement suit that was filed against them in New York federal court.   The plaintiff, a photographer who worked for AFP for years in

CDAS is pleased to announce a new co-head of the firm’s entertainment practice, new co-heads of the firm’s Los Angeles office, a partner promotion, and further development of the art law group.   Frederick P. Bimbler (Fred) is joined by Caitlin S. DiMotta in heading up the firm’s entertainment practice. With almost 30 years’ experience

Craiyon—formerly known as DALL-E Mini—has captured the attention of the art and legal world in recent weeks, including this very blog in our first post on this fascinating service. The website, which touts itself as having the ability to produce “AI model drawing images from any prompt,” is undisputedly innovative and fun to use, yet

“Vape,” a theatrical parody of the original Broadway musical “Grease” that was later adapted in the 1978 feature film, recently prevailed in a copyright case where the court held that Vape was a fair use that did not require permission from the owners of Grease. The case, Sketchworks Industrial Strength Comedy, Inc. v. Jacobs, was

NFT.NYC 2022 was a great event with many exciting companies and brands in attendance and many interesting Web3 projects being unveiled.  Below are some thoughts and takeaways on what I learned, what I believe will be taking place in the near future, and some of the Web3 issues that companies, content creators, and brands should

Craiyon (formerly known as DALL-E mini) is an AI-powered art model that draws collages of images based on, literally, “any prompt” entered by a user. The model’s developers have explained that it was “trained by looking at millions of images from the internet with their associated captions” and that “[o]ver time, it learns how to

There has long been a blurry line at the intersection of trademarks, rights of publicity, and the First Amendment.  Throw in blockchains, NFTs, and high-fashion handbags, and you have a recipe for a final exam-worthy fact pattern perfect for law students versed in Web 3.0. Enter the “MetaBirkins” case.  In this recent headline-grabber, a “marketing